9. Bach’s treatment of the royal theme has a variety of changing motifs. (English Horn); Maurice Allard (Bassoon); Roger Dupont (Bassoon), Le Club Français du disque 138-139 Comprend 13 contrepoints, 4 canons et 3 fugues (dont 1 inachevée) J. S. Bach. This … may account for the greater variety of instrumental attempts.’ The Dutch harpsichordist and scholar explains that Bach never used the soprano clef for flute, oboe or violin. Buy this album at: Bach L'Art de la fugue. Bach: Art of Fugue/L'Art de la Fugue [A-1], Bach-L. Isaacs: Die Kunst der Fuge BWV 1080, scored for chamber orchestra: Contrapunctus V [4:13], Contrapunctus VII [4:26], Canon [2:40], Contrapunctus XIIa [2:16], Contrapunctus XIIb [2:17], Contrapunctus XI [8:02], Radio-Canada Transcription (RCI) Programme 157, The list of recordings was compiled by Aryeh Oron & Thomas Radleff (January 2004 - December 2017) Bach y avait déjà fait allusion dans la notice nécrologique qu’il écrivit avec Agricola (élève et gendre de Bach), publiée en 1754, où il dit de L’Art de la fugue: «C’est là la dernière œuvre de l’auteur, qui contient toutes les formes de contrepoint et de canon, sur une seule phrase principale. Its non-thematic bass remains exempt. But the clefs he does specify were widely accepted for classical polyphony and equally for keyboard instruments. Un immense cube en bois, dont les surfaces tombent, s’effondrent ou coulissent, donne naissance à une multiplicité de paysages aux volumes changeants. Its shift from straight to inverted form occurs after the exposition. J.S. Then there were double and triple fugues, four canons and two pairs of mirror fugues. Contrapunctus 5: A simple four-part fugue. œ Beyond the hub of Bach’s continent, The Art of Fugue was now reconsidered with equal zeal, thought of less as the last disordered, creative gasp of a dying man and more the comprehensive, consummate summation of Bach’s immeasurable genius. Some ricercari allowed each section its own theme. Written in the last decade of his life, The Art of Fugue is the culmination of Bach's experimentation with monothematic instrumental works. CD (2012): Amazon.com | Amazon.co.uk | Amazon.de, Recorded at Kreuzeskirche, Essen, North Rhine-Westphalia, Germany. The intervening element, Part III, begins with a prelude in E flat (BWV552), part of a larger five-part fugue which later re-emerges, once again in E flat and with three subjects. cit., p. 127-140. Bach: L’Art de la Fugue [A-4] Johann Sebastian Bach est le premier de sa lignée à dissimuler dans son œuvre le motif tiré de son nom : B.A.C.H., ou si bémol-la-do-si bécarre. L'Art de la fugue Johann Sebastian Bach. Bthis album at: Amazon.com | Amazon.com, Bach: Art of the Fugue [A-1] Sa phénoménale capacité d’invention, son sens extraordinaire de la forme, de la structure et du nombre, sans jamais négliger le côté expressif et musical de la création sont sans doute une des caractéristiques majeures de Bach. Whether Bach intended his variations for the organ or harpsichord, for chamber group or orchestra, remains unclear to this day. The latter half has this same canon. The Berlin News (11 May 1747) reported: During the Potsdam gathering (4 May), Bach had essayed a 3-voice fugue for the monarch. And aspects of the original printing were the subject of unending speculation. 4,6 étoiles sur 5 25. Les meilleures offres pour Jean Sébastien Bach –L'Art De La Fugue -Le Club Français Du Disque ‎– 2384-2385 sont sur eBay Comparez les prix et les spécificités des produits neufs et d'occasion Pleins d'articles en livraison gratuite! J.S. 2. Read Full Synopsis Cast + Crew Previous Cast Members More Cast Members. Contrapunctus 7: In four parts (per Augmentationem et Diminutionem). From this base the instrumentation was progressively enlarged, first to chamber ensemble proportions and then to full orchestral dimensions. The Art of Fugue was regarded as a labyrinthine exercise; a drily academic tangle of uncommon severity. Everyday low prices and free delivery on eligible orders. Review: Scherchen AoF Contrapuncti 1, 2, 3 and 4 are the four simple fugues as detailed below. The increasing rhythmical and harmonic intensity retains its symmetry through recapitulations and later to a dimunution of motifs taken from the subject. Berlin State Library, Germany. The autograph is demonstrably in Bach’s hand while details of the printed version are, even now, not finally authenticated. 17,32 € Suivant. J.S. Cet élément a bien été ajouté / retiré de vos favoris. L’Art de la Fugue synthétise parfaitement le savoir et le génie dans l’art du contrepoint de Bach. "L'Art de la Fugue" de Bach. It crossed the Atlantic and within two years Stokowski presented Graeser’s orchestral version at Mrs Coolidge’s Chamber Music Festival in the Library of Congress, Washington. Says theorist Boyd, ‘The mere presence of the Duets still requires explanation, and Bach scholars are not in agreement even about the instrument they were written for.’. Bach:Musikalisches Opfer (L'offrande musicale) et Die Kunst der Fuge (L'art de la fugue) [A-3], Die Kunst der Fuge BWV 1080, in a version by Paul Kuentz [80:31], Paul Kuentz Chamber Orchestra (Orchestre de Chambre Paul Kuentz), Marie-Claire Alain (or Françoise Gangloff) (Organ); Monique Frasca-Colombier (Violin); Christos Michalakados (Viola); Jean Louis Hardy (Cello), Club National du Disque CND-41-1/2 Here it is played straight and serves to introduce the basic shape and character of the theme. Welcome to Hyperion Records, an independent British classical label devoted to presenting high-quality recordings of music of all styles and from all periods from the twelfth century to the twenty-first. This widely held view meant that Bach’s towering masterpiece suffered undeserved neglect and obscurity for much of its history. The twenty tracks can be further detailed as follows: Contrapunctus 1: The first of four simple fugues. That year, while visiting Potsdam, Bach was challenged by Frederick the Great to improvise a six-part ricercare. Isaacs) [B-1], Bach-L. Isaacs: Die Kunst der Fuge BWV 1080, arranged for chamber orchestra [87:20], Argo ZRG-5421-5422 Régis Allard. Contrapunctus 14: In this final triple fugue Bach chose to include the letters of his own name (B = B flat and H = B natural in German nomenclature). Add to Cart. The crux of this fugue is its simple, syncopated inversion. Again there are two parts with the main theme changed. Die Kunst der Fuge BWV 1080 - Contrapunctus 9, 11, 13 X. Above all it summarizes the entire known potential of counterpoint. Stretti are variously spaced, both straight and inverted. L’exécution de L’Art de la fugue, considéré comme « le chant de cygne » de Bach, pose des problèmes en raison, d’abord, des incertitudes dans l’ordre des contrepoints. The Art of Fugue (or The Art of the Fugue; German: Die Kunst der Fuge), BWV 1080, is an incomplete musical work of unspecified instrumentation by Johann Sebastian Bach (1685–1750). Please use the dropdown buttons to set your preferred options, or use the checkbox to accept the defaults. Leonhardt Gustav, L'Art de la fugue denière œuvre se Bach pour le clavecin (traduction en français par Jacques Drillon). In this way he set his personal seal on the work as a whole. One, on special paper, went to the king, the remainder were sold at one thaler each. Bach: The Art of Fugue / Musical Offering, J.S. See Contrapuntal Compositional Techniques : The Fugue for an introduction to the fugue. Il a poursuivi le travail jusqu'à sa mort, en 1750. Hearing the BACH theme, the instant of unison with all three themes, then abrupt and sudden silence, gives the work a final shattering impact. 1. Chailley Jacques, L'Art de la Fugue de J.S.Bach. J.S. L’art de la fugue de Jean-Sébastien Bach L’art de la fugue (en allemand : die Kunst der Fuge), est une oeuvre inachevée de Johann Sebastian Bach por - tant le numéro 1080 dans le catalogue BWM. The first of four canonical fugues; ‘alla Ottava’ takes its place between these introductory contrapuncti and three counter fugues viz. Analyse de l'oeuvre. The site is also available in several languages. dernière oeuvre de Bach pour le clavecin argumentation, L'Art de la fugue, Gustav Leonhardt, Van De Velde. 1st recording of Die Kunst der Fuge BWV 1080 by G. Malcolm. Contrapunctus 2: The four part fugue is played straight. Bach’s uncommonly severe chorale preludes and even more the four peculiar Duets with abrupt, chromatic and (sometimes) bitonal strands, accentuate the diversity. Avec la participation de Elsa Fottorino, Aurélie Moreau et Christian Merlin Manuscrit de la fugue inachevée Johann Sebastian Bach. The response is inverted and diminished while variously-spaced stretti are straight, inverted, normal, diminished, double and triple. Étrange que ce soit une jeune pianiste qui nous livre l'une des versions les plus spirituelle de l'Art de la Fugue. Bach began his monumental task with four fugues, two presenting the theme, the others running in contrary motion. Open Instrumentation. No et perdis aquesta versió del mateix contrapunctus 9 cantada per Swingle Singers :-) Lorsque Bach mourut (1750), la … The following year work commenced and, despite the ravages of a fatal eye disease, this final profound undertaking was almost completed in the year of his death (1750). Buy this album at: Bach: L'Art de la fugue (Die Kunst der Fuge) [A-2] Between recording ‘takes’ at Rosslyn Hill Chapel, Hampstead, she recalled a concert in Kharkov, Southern Russia. 2nd CD: Bach's keyboard works played by Rosalyn Tureck [K-9]. The Clavier-Übung begins with six suites originally presented as a complete set in 1731. It is heard in stretto and in inversion. His two eldest sons became agents for the ‘Offering’ in Halle and Berlin. Karl Geiringer notes: ‘To make the mirror reflection doubly realistic, the treble of the first fugue becomes the bass of the second, the alto changes into a tenor, the tenor into an alto and the bass into a treble.’ The inversus appears like the rectus standing on its head. 16-Bit CD Quality 44.1 kHz - Stereo. There is an oblique descending-third reference to a hymn utilised in the cantatas: viz. Ici Bernard Foccroulle a choisit l'orgue du " Temple du Bouclier " de Strasbourg, et en tire des couleurs et des registrations rarement entendues dans cette oeuvre ! Cédric Pescia décide de faire de la première Fugue un monument crépusculaire qui s’étire, s’étire… jusqu’à l’épanchement. L'Art de la fugue--the Art of fugue--die Kunst der Fuge. L'art de Zhu Xiao Mei au servie de l'Art de la fugue de JS Bach pour cet enregistrement au piano de l'œuvre du Cantor de Leipzig. Bach: The Art of Fugue, 4 Solo Organ Concertos [A-1], Die Kunst der Fuge BWV 1080, with Final Fugue completed by L. Rogg. The simple, basic form of the theme is constantly changed, embellished and inverted. Cette première version contient 12 fugues et 2 canons. inversus, János Sebestyén (Hapsichord); Zsuzsa Pertis (Harpsichord), Bach: Art of the Fugue [A-2] Gustav Leonhardt contends that a mere glance at the compass of the alto voice in the first twelve fugues will reveal how none of Bach’s ensemble groups may properly be used in performing the work. 2-LP / TT: 90:16 Buy this album at: Buy this album at:  L'art de la Fugue (78 sheet music) Added by luisalcasa the 2020-11-11: 0 comment Your pseudo: You accept the terms ... Johann Sebastian Bach De Wikipedia, la enciclopedia libre Johann Sebastian Bach (Eisenach, Turingia, 21 de marzo de 1685 – Leipzig, 28 de julio de 1750) fue un organista y Partitions. La maladie mortelle débilitante en empêcha l’achèvement. After a brief passage of counterpoint the print ends while the autograph continues for another seven bars. This most likely became the basis for his lighter, more questing ‘Ricercare a 3’ which, in turn, joined canons and a trio sonata to make up Ein musikalisches Opfer (‘A Musical Offering’, 1747), a conjunction of contrapuntal works, dedicated to the Prussian king. © 2000-2021 Bach Cantatas Website, Last update: Saturday, July 27, 2019 13:30, Recordings, Reviews & Discussions - Main Page. ‘Wer weiss, wie nahe mer mein Ende’ (‘Who knows how near my end might be’) by the Countess of Schwarzburg-Rudolstadt (1637–1707). Jean-Sébastien Bach a œuvré toute sa vie pour que la musique resplendisse avec une modestie touchante et aimante. Added to this were counterfugues where the first statement is inverted and recombined with its original form. 6-CD / TT: 381:25, Recorded at Saarlouis-Fraulautern, Saarebrücken, Germany. Tahra: TAH108/109. Most academics detect Bach’s influence in the ordering of the pieces to this point though several ponder over the use of three (not four) ‘stretto’ counter fugues; Contrapuncti 5-7. Bach's keyboard works played by Rosalyn Tureck [K-9]. 2. Membran/Concerto Royale [CD], Die Kunst der Fuge BWV 1080, transcribed by Samuel Baron, Fine Arts Quartet & New York Woodwind Quintet, Leonard Sorkin (Violin); Abram Loft (Violin); Irving Ilmer (Viola); George Sopkin (Cello) the inverted form at Contrapunctus 8). RISTENPART, KARL - bach; l'art de la fugue - RE-1511-2-MU. Jean Sebastien Bach: L'Art de la Fugue Synopsis. However, it could hardly be said to bear his imprimatur for at some point members of the family began passing pages to the ‘unknown’ engraver who continued working from the manuscript with no thought or understanding of the music or its true sequence. 1st recording of Die Kunst der Fuge BWV 1080 by M. Copier. Aujourd'hui sur Rakuten, 252 Bach L Art De La Fugue vous attendent au sein de notre rayon . Each one argued persuasively that The Art of Fugue was most properly suited to his/her own instrument. Contrapunctus 12 (Rectus): A mirror fugue in four parts. 16-Bit CD Quality 44.1 kHz - Stereo. Buy this album at: Amazon.com | Amazon.com, Bach: Die Kunst der Fuge - Art of the Fugue [A-5], Die Kunst der Fuge BWV 1080, instrumentation by Hermann Scherchen, Members of Vienna Radio Orchestra & Vienna Symphony Orchestra, Recorded at Mozartsaal, Vienna, Austria. Its simple, main theme is inverted, varied and embellished in all four parts. Here the main theme is varied by two passing notes. Bach, written in the last decade of his life, and acting as a culmination of his experimentation with monothematic instrumental works. 1st recording of Die Kunst der Fuge BWV 1080 by K. JS Bach: l'Art de la Fugue par Hermann Scherchen. 6-CD (2004): Amazon.com | Amazon.co.uk | Amazon.de, Die Kunst der Fuge BWV 1080, instrumentation and realization by Milan Munclinger, Viktorie Švihlíková (Harpsichord); Josef Hála (Harpsichord); Jiři Mihule (Oboe); Stanislav Duchoň (Oboe, Oboe da Canon alla Duodecima in Contrapuncto alla Quinta He also comments, ‘The Art of Fugue was meant to be studied by playing it, to have its marvels seen, heard, and felt under one’s fingers … it must indeed, be played many times before its deceptive lucidity can be penetrated. Des milliers de livres avec la livraison chez vous en 1 jour ou en magasin avec -5% de réduction . On each occasion the new theme and principle theme combine in two different intervals. This complex equation includes an ascending/descending chromatic line regarded as the fourth theme. Bach: Harpsichord Concertos; The Art of Fugue (arr. 2014 Preview SONG TIME Die Kunst der Fuge, BWV 1080: Contrapunctus 1. Both mirror fugues are extended for two harpsichords where required. Canon (in Hypodiapason) alla Ottava: One of four canonical fugues. Now the main theme is inverted and rythmically diversified. Emission enregistrée en public le jeudi 19 janvier à 19h au studio 109. Voici un disque que je rachète pour la troisième fois tant les amis qui l'écoutent sont fascinés par cette interprétation hors norme. Buy this album at:   No-one understood the workings of counterpoint more fully than Bach and in his final years the composer, then Cantor at St Thomas’s, Leipzig, was more and more preoccupied with contrapuntal music. L'Art de la fugue (en allemand : Die Kunst der Fuge) est une œuvre inachevée de Jean-Sébastien Bach (BWV 1080). Bach had not finished the final fugue, superscribed ‘Fuga a soggeti’ in the printed version; Contrapunctus 14 in this recording (Graeser No 19, see below). Accord 465893, 2-LP / TT: 90:16 Bach’s son Carl Philipp Emanuel eventually took charge of the publication and it appeared posthumously in autumn 1751. Inventivité, créativité, richesse, ces trois mots ne peuvent suffire à définir tout le potentiel du compositeur allemand. Buy this album at: While creating The Art of Fugue, the 65-year-old Bach embodied within the work unparalleled splendour and poetry. In fact the order of pieces on the autograph differs from that established from the printed version. 1st recording of Die Kunst der Fuge BWV 1080 by H. Tachezi. J.S. Contrapunctus 13 (Rectus): A mirror fugue in three parts. Sony Classical SB2K-62331, Recorded at 30th Street Studios, New York City, New York, USA. He published an open-score edition as well as one for keyboard. The debilitating final disease prevented its completion. Additional to variants of the basic theme heard so far. Notes Collection personnelle - Side 1: Fugue 1 à IV, Canon à l’octave, Fugue V - Side 2: Fugues VI et VII, Canon par augmentation et mouvement contraire, Fugues VIII à X - Side 3: Fugue XI, Canon à la douzième, Fugues XII et XIII, Canon à la dizième - Side 4: Fugue XIV (inachevée), Choral “Devant ton trône je vais comparaître” BWV 668 Johann Sebastian Bach. D’une justesse pétillante, elle signe un opus d’une intelligence réjouissante et d’une fantaisie exigeante admirablement servi par la virtuosité des danseurs et par la lumière de Françoise Michel. Deuxièmement, parce que l’édition posthume de ces pages a été complétée par le fils du cantor de Leipzig, Carl Philipp Emanuel Bach. Highly recommended’ (CDReview). Cette première version contient 12 fugues et 2 canons. In 1932 Tovey endorsed the nineteenth-century belief that the work had been intended for the keyboard. Jacques Drillon (Van de Velde, 1985) « Sur L'Art de la fugue », texte d'accompagnement de l'enregistrement vinyle de L'Art de la fugue, Deutsche Harmonia Mundi, 1969. Cette belle petite fugue en G mineur BWV 578 de Bach très connue. For the second section parts are interchanged with the canon now in the double sub-octave. The Graeser version was first heard in 1927 at a concert in the Leipzig church of St Thomas. The Art of Fugue is universally upheld as a major intellectual tour de force of Western civilisation; one of the great wonders of musical art. L'Art de la fugue; The Art of Fugue (Die Kunst der Fuge) is an incomplete work of unspecified instrumentation by J.S. Die Kunst der Fuge BWV 1080, H.Scherchen´s orchestration. In two parts; the main theme is at first inverted, then played straight with substantial rhythmic changes and embellishments. Glenn Gould (Piano) [2, 3, 4], Jan-Feb 1962 [1]; Nov 1967 [3]; Apr 1980 [4]; Spring 1981 [2], Recorded at All Saints' Anglican Church, Toronto, Canada & Chapel of the Theological College, New York City [1]; CBC tevision broadcast, CBC Studios, Canada [2, 3]; Eaton's Auditorium, Toronto, Canada [4]. II) / Deux Sonates at Discogs. 2nd recording of Die Kunst der Fuge BWV 1080 by K. Ristenpart. 1080 [A-1], From Die Kunst der Fuge BWV 1080: It is changed mid-way, becoming a canon at the sub-octave.